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Sometimes the best way to understand the world around us is to stop and pick up a book.
That’s certainly true of race and power in America. Whether it’s through thoughtful essays, gripping fiction, or haunting poems, contemporary black authors have been publishing a number of books that are shaping our conversations about race for readers of all ages.
Some books tackle larger issues like mass incarceration and police violence. Others offer intimate portraits of individual characters to showcase the world as experienced through different perspectives. But no matter the scope, black writers are using literature as a way to explore race and the effects of racism on the world around us.
Without further ado, here are 14 books by black authors that are shaping our conversations about race.
Annie Turnbo Malone created the largest hair care brand in the country. Robert Reed Church was, at one point, one of the largest landowners in Memphis. Turnbo Malone was the daughter of slaves and Church escaped slavery, but both went on to become entrepreneurs and millionaires. Author Shomari Wills details those and other similar improbable success stories in Black Fortunes.
In this collection of essays, Cottom discusses her life experiences in the context of social and political theories she’s studied in order to explore different facets of the black female experience in the U.S. It’s the perfect blend of scholarly writing and personal anecdote. She touches on race, beauty, and even BBQ Becky.
Jerome, the protagonist of this young adult novel, shares a fate similar to that of Tamir Rice, a 12-year-old boy killed in Cleveland, in 2014. Jerome is shot to death by an officer who confuses his toy gun for the real thing. Jerome lives on as a ghost and meets Emmett Till, the 14-year-old black teenager who was tortured and murdered in 1955. Jerome also meets Sarah, the police officer’s daughter. Together, they’ll try to confront and understand why Jerome was killed.
In this book, historian Stephanie E. Jones-Rogers makes the case that white women benefited just as much from the American slave system as white men — and she has the sources to prove it. She focuses on testimonies of formerly enslaved people to illustrate how white female slave owners punished slaves, and used them to gain wealth, status, and independence from men. Jones-Rogers’ findings will force many readers to confront the fact that white women who owned slaves could be just as brutal as male slaveowners.
Danez Smith’s poetry collection Don’t Call Us Dead is a breathtaking look at being black, being queer, and living with HIV, when the world seems hostile to those very identities. The opening poem, “summer, somewhere,” is a 25-page-long elegy that imagines paradise for black boys killed by police violence, and will leave readers vibrating with anger, sadness and resolve as a result of Smith’s haunting prose.
The Hate U Give has been a New York Times best seller since it debuted a year ago, and for good reason. The novel tells the tale of Starr Carter, a 16-year-old who is trying to reconcile going to a predominantly white high school without feeling like she is abandoning her friends and family in her predominantly black neighborhood. But when Starr is the sole witness to a police shooting of an unarmed black teen, she must develop the courage to find her voice and speak out against injustice. What makes The Hate U Give so brilliant is the seamless way that it blends a stirring and universal coming-of-age story with an important lesson about standing up against institutional corruption.
New People is a sharp commentary on race disguised as a suspense thriller. The book follows Maria, a biracial New Yorker who seems to have the perfect life. She’s a research scholar, she’s engaged to an entrepreneur who’s launching a new internet venture, and she’s the star of a documentary about biracial Americans. However, when Maria becomes obsessed with a poet, she begins to question what it means to be black and what it means to be successful in a world where there seems to be defined expectations for both. “I’m interested in narratives with black protagonists that don’t follow an expected script,” Senna told MashReads. This novel will leave you think about the plight of Maria long after you’ve turned the last page.
If there is one word that describes Jesmyn Ward’s National Book Award winning novel Sing, Unburied, Sing it’s “haunting.” The novel is a beautifully written portrait of a family navigating the embattled racial dynamics, past and present, of the American South, as 13-year-old Jojo and his mother Leonie road trip to pick up Jojo’s father from prison in Mississippi. In her acceptance speech, Ward highlighted the importance of representation in literature. ““You looked at my poor, my black, my southern women, and you saw yourself. I am deeply honored to each and everyone of you who looks at my work and sees something in it. I hope to continue this conversation with you for all of our days.”
We Were Eight Years In Power is a collection of Coates’ essays written about race, history, and power during the eight years of Obama’s presidency. Many of the essays were previously published in The Atlantic, and then Coates augmented the book with eight new essays, one written for each year of the Obama era. Put together, they provide an important element for processing modern day America: context. A critical look at race in the U.S., delivered with Coates’ characteristic thoughtfulness and wisdom, We Were Eight Years In Power situates the current social, political, and cultural conversations we’re having as a country within the larger web of history, making it a must-read. (Also, it goes without saying, read his award winning book Between The World and Me.)
When They Call You A Terrorist is a fact check of public record. The book tells the story of the creation of Black Lives Matter, the movement dedicated to fighting injustice that was subject of a petition aiming to label it a terrorist organization. The book also details the coming of age story of the woman who co-created the movement, Patrisse Cullors. But the book is more than a recounting of the past. This memoir acts as a beacon of hope for readers — that community activism makes a difference, that it is possible to stand up to injustice, and that no matter who you are, you still get to tell your own story.
If there is one book that demonstrates that fiction can be as revealing as even the most grounded non-fiction, it’s Tayari Jones’ An American Marriage. The book, which was recently selected as Oprah’s Book Club pick for February, follows a newlywed couple, Celeste and Roy, who are trying to build a life together. But when Roy is arrested for a crime he didn’t commit, Celeste and Roy’s world is thrown into disarray, resulting in a gripping tale about race, love, and family, as well as the forces like incarceration that can disrupt them and what we will do to hold onto the future we want for ourselves.
In her debut book, writer and journalist Morgan Jerkins dives into what it means to a black woman in modern society. Through essays about everything from Sailor Moon to the “Black Girl Magic” movement, Jerkins outlines how race, womanhood and feminism intersect. It’s all delivered with the sharp criticism that has made Jerkins a must-follow voice in today’s media landscape.
In her YA novel Dear Martin, debut author Nic Stone explores what its like to come of age as a black boy in a white world. The story follows Justyce McAllister, a black boy attending a predominantly white prep school. When Justyce is handcuffed by a cop who wrongfully assumes he’s attacking a drunk friend he’s trying to help, his eyes are suddenly opened to the various racial dynamics at play around him. Drawing on the legacy of Martin Luther King Jr., Dear Martin asks one resounding question: why should you try to be your best in a world that already assumes the worst of you?
Why I’m No Longer Talking To White People About Race is an essay collection that examines structural racism. It was borne out of frustration about conversations about race. The book began as a 2014 blog post by the same title, in which Eddo-Lodge wrote “I can no longer engage with the gulf of an emotional disconnect that white people display when a person of colour articulates our experiences.” Throughout her collection Eddo-Lodge discusses class, race, gender and privilege, through the framework of British culture and history. But whether you’re English or not, the book’s exploration of inequality will echo with readers all over the world.
Additional reporting by Victoria Rodriguez.
UPDATE: Feb. 21, 2019, 1:19 p.m. PST This story was originally published in 2018 and was subsequently updated in 2019.